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43 – Paisajes arquitectònicos La Colección Leonardo
₡3,875
Un escorzo de ciudad, un pueblecito antiguo, una aldea rural; en suma, una muestra de paisajes a todo color, realizados con diferentes técnicas, que tienen a la arquitectura como objetivo común.
LA COLECCIÓN LEONARDO – 43
#978-88-86256-98-8
2 in stock
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Buen retratista
El retrato es una acción casi mágica por medio de la cual el artista establece una sorprendente relación de semejanza entre un conjunto de pinceladas y trazos, más o menos acertados, y un personaje real; se convierte así en una metáfora visual capaz de capturar sus rasgos externos e internos más característicos, aquellos que lo distinguen de las demás personas. Si bien es cierto que la representación del retrato se considera una de las disciplinas más difíciles, porque requiere un avanzado nivel de dibujo y una mirada muy crítica, también lo es que existen algunas estrategias que facilitan la compresión técnica.
Este libro contiene todas las indicaciones necesarias para dibujar y pintar el retrato apoyándose en numerosos recursos, ejemplos y ejercicios muy clarificadores.
How colors mix
The greatest difficulty of painting, regardless of the procedure used (watercolor, acrylic or oil), lies in the mixing of colors and their application. The correct manipulation of color on the palette is an essential preliminary step to achieve mastery of nuances, chromatic amplitude and good harmonization on the support; It requires technical knowledge of color fusion and hours of practice to handle paint intuitively and impulsively. This book is an essential guide to learn to relate the colors of the palette with those of the model and successfully resolve the different harmonizations and color ranges that may arise.
Urban drawing and painting
The city is a very broad theme in which other subgenres converge: the representation of architecture, perspective drawing, the human figure, parks and gardens, scenes illuminated with artificial light... Along with the natural landscape, the urban landscape is one of those preferred by amateur artists because, in addition to being attractive and changing, it poses many challenges and offers numerous possibilities, which depend on the framing, the point of view and the quality of the light. This book offers explanations and exercises that will undoubtedly help you improve and solve drawing and painting any urban landscape with ease.
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This book teaches how to draw horses in a very easy and effective way. The method is based on elementary diagrams, within the reach of even the most inexperienced amateur, which allow the shape and movement of the animal to be represented with little effort.
After a first section where we show the materials used in the book, we will then learn to represent horses using very simple shapes and with the only help of a pencil and paper. From there we move on to shading: light and shadow and their diverse arrangement on the anatomical relief. These first basic lessons will allow you to quickly start drawing horses using a wide variety of different techniques: charcoal, sanguine, Indian ink, gouache, etc. It is, in short, a work aimed at all drawing lovers who wish to get started and delve deeper into one of its most attractive topics: drawing horses.
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El Vitral
Esta obra, estructurada en dos grandes partes, es un compendio sobre la realización de vitrales y su restauración. En la primera parte el lector encontrará los conocimientos indispensables sobre materiales, herramientas y técnicas de realización, así como ocho proyectos paso a paso de diversos tipos de vitrales, desde el vitral emplomado hasta el vitral realizado con silicona, una técnica novedosa, prácticamente desconocida. La segunda parte del libro aborda los materiales y las técnicas básicas de la restauración, en especial del vitral emplomado, ilustrado con dos proyectos paso a paso.
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This is a book to learn to advance in this art and therefore offers the reader no less than 101 different techniques illustrated in as many step-by-step sequences. The sequences are relatively short: they take up one or two pages at most. It is more than enough space to give an account, with clarity and simplicity, of all the techniques of oil painting.
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